|Published||Serialized 1860-1; book form 1861|
|Publisher||Chapman & Hall|
Great Expectations is the thirteenth novel by Charles Dickens and his penultimate completed novel: a bildungsroman that depicts the personal growth and personal development of an orphan nicknamed Pip. It is Dickens’s second novel, after David Copperfield, to be fully narrated in the first person. The novel was first published as a serial in Dickens’s weekly periodical All the Year Round, from 1 December 1860 to August 1861. In October 1861, Chapman and Hall published the novel in three volumes.
The novel is set in Kent and London in the early to mid-19th century and contains some of Dickens’s most memorable scenes, including the opening in a graveyard, where the young Pip is accosted by the escaped convict, Abel Magwitch. Great Expectations is full of extreme imagery—poverty, prison ships and chains, and fights to the death—and has a colorful cast of characters who have entered popular culture. These include the eccentric Miss Havisham, the beautiful but cold Estella, and Joe, the unsophisticated and kind blacksmith. Dickens’s themes include wealth and poverty, love and rejection, and the eventual triumph of good over evil. Great Expectations, which is popular both with readers and literary critics, has been translated into many languages and adapted numerous times into various media.
Upon its release, the novel received near-universal acclaim. Although Dickens’s contemporary Thomas Carlyle referred to it disparagingly as that “Pip nonsense,” he nevertheless reacted to each fresh installment with “roars of laughter.”Later, George Bernard Shaw praised the novel, as “All of one piece and consistently truthful.” During the serial publication, Dickens was pleased with the public response to Great Expectations and its sales; when the plot first formed in his mind, he called it “a very fine, new and grotesque idea.”
On Christmas Eve, around 1812, Pip, an orphan who is about seven years old, encounters an escaped convict in the village churchyard, while visiting the graves of his parents and siblings. Pip now lives with his abusive elder sister and her kind husband Joe Gargery, a blacksmith. The convict scares Pip into stealing food and a file. Early on Christmas morning, Pip returns with the file, a pie, and brandy. During Christmas Dinner that evening, at the moment Pip’s theft is about to be discovered, soldiers arrive and ask Joe to repair some shackles. Joe and Pip accompany them as they recapture the convict who is fighting with another escaped convict. The first convict confesses to stealing food from the smithy.
A year or two later, Miss Havisham, a wealthy spinster who still wears her old wedding dress and lives as a recluse in the dilapidated Satis House, asks Mr. Pumblechook, a relation of the Gargery’s, to find a boy to visit her. Pip visits Miss Havisham and falls in love with her adopted daughter Estella. Estella remains aloof and hostile to Pip, which Miss Havisham encourages. Pip visits Miss Havisham regularly until he is old enough to learn a trade.
Joe accompanies Pip for the last visit when she gives the money for Pip to be bound as an apprentice blacksmith. Joe’s surly assistant, Dolge Orlick, is envious of Pip and dislikes Mrs. Joe. When Pip and Joe are away from the house, Mrs. Joe is brutally attacked, leaving her unable to speak or do her work. Orlick is suspected of the attack. Mrs. Joe becomes kind-hearted after the attack. Pip’s former schoolmate Biddy joins the household to help with her care.
Four years into Pip’s apprenticeship, Mr. Jaggers, a lawyer, tells him that he has been provided with money, from an anonymous benefactor, so that he can become a gentleman. Pip is to leave for London, but presuming that Miss Havisham is his benefactor, he first visits her.
Pip sets up house in London at Barnard’s Inn with Herbert Pocket, the son of his tutor, Matthew Pocket, who is a cousin of Miss Havisham. Herbert and Pip have previously met at Satis Hall, where Herbert was rejected as a playmate for Estella. He tells Pip how Miss Havisham was defrauded and deserted by her fiancé. Pip meets fellow pupils, Bentley Drummle, a brute of a man from a wealthy noble family, and Startop, who is agreeable. Jaggers disburses the money Pip needs.
When Joe visits Pip at Barnard’s Inn, Pip is ashamed of him. Joe relays a message from Miss Havisham that Estella will be at Satis House for a visit. Pip returns there to meet Estella and is encouraged by Miss Havisham, but he avoids visiting Joe. He is disquieted to see Orlick now in service to Miss Havisham. He mentions his misgivings to Jaggers, who promises Orlick’s dismissal. Back in London, Pip and Herbert exchange their romantic secrets: Pip adores Estella and Herbert is engaged to Clara. Pip meets Estella when she is sent to Richmond to be introduced into society.
Pip and Herbert build up debts. Mrs. Joe dies and Pip returns to his village for the funeral. Pip’s income is fixed at £500 per annum when he comes of age at twenty-one. With the help of Jaggers’ clerk, Wemmick, Pip plans to help advance Herbert’s future prospects by anonymously securing him a position with the shipbroker, Clarriker’s. Pip takes Estella to Satis House. She and Miss Havisham quarrel over Estella’s coldness. In London, Bentley Drummle outrages Pip, by proposing a toast to Estella. Later, at an Assembly Ball in Richmond, Pip witnesses Estella meeting Bentley Drummle and warns her about him; she replies that she has no qualms about entrapping him.
A week after he turns 23 years old, Pip learns that his benefactor is the convict he encountered in the churchyard, Abel Magwitch, who had been transported to New South Wales after that escape. He has become wealthy after gaining his freedom there but cannot return to England. However, he returns to see Pip, who was the motivation for all his success. Pip is shocked and stops taking money from him. Subsequently, Pip and Herbert Pocket devise a plan for Magwitch to escape from England.
Magwitch shares his past history with Pip and reveals that the escaped convict whom he fought in the churchyard was Compeyson, the fraudster who had deserted Miss Havisham.
Pip returns to Satis Hall to visit Estella and encounters Bentley Drummle, who has also come to see her and now has Orlick as his servant. Pip accuses Miss Havisham of misleading him about his benefactor. She admits to doing so but says that her plan was to annoy her relatives. Pip declares his love to Estella, who, coldly, tells him that she plans on marrying Drummle. Heartbroken, Pip walks back to London, where Wemmick warns him that Compeyson is seeking him. Pip and Herbert continue preparations for Magwitch’s escape.
At Jaggers’s house for dinner, Wemmick tells Pip how Jaggers acquired his maidservant, Molly, rescuing her from the gallows when she was accused of murder.
Then, full of remorse, Miss Havisham tells Pip how the infant Estella was brought to her by Jaggers and raised by her to be cold-hearted. She knows nothing about Estella’s parentage. She also tells Pip that Estella is now married. She gives Pip money to pay for Herbert Pocket’s position at Clarriker’s and asks for his forgiveness. As Pip is about to leave, Miss Havisham accidentally sets her dress on fire. Pip saves her, injuring himself in the process. She eventually dies from her injuries, lamenting her manipulation of Estella and Pip. Pip now realizes that Estella is the daughter of Molly and Magwitch. When confronted about this, Jaggers discourages Pip from acting on his suspicions.
A few days before Magwitch’s planned escape, Pip is lured by an anonymous letter into a sluice house near his old home, where he is seized by Orlick, who intends to kill him. Orlick confesses to injuring Pip’s sister. As Pip is about to be struck by a hammer, Herbert Pocket and Startop arrive to rescue him. The three of them pick up Magwitch to row him to the steamboat for Hamburg, but they are met by a police boat carrying Compeyson, who has offered to identify Magwitch. Magwitch seizes Compeyson, and they fight in the river. Seriously injured, Magwitch is taken by the police. Compeyson’s body is found later.
Pip is aware that Magwitch’s fortune will go to the crown after his trial. But Herbert, who is preparing to move to Cairo, Egypt, to manage Clarriker’s office there, offers Pip a position there. Pip regularly visits Magwitch in the prison hospital as he awaits trial, and on Magwitch’s deathbed tells him that his daughter Estella is alive. After Herbert’s departure for Cairo, Pip falls ill in his rooms and faces arrest for debt. However, Joe nurses Pip back to health and pays off his debt. When Pip begins to recover, Joe slips away. Pip then returns to propose to Biddy, only to find that she has married Joe. Pip asks Joe’s forgiveness, promises to repay him and leaves for Cairo. There he shares lodgings with Herbert and Clara and eventually advances to become third in the company. Only then does Herbert learn that Pip paid for his position in the firm?
After working eleven years in Egypt, Pip returns to England and visits Joe, Biddy and their son, Pip Jr. Then in the ruins of Satis House he meets the widowed Estella, who asks Pip to forgive her, assuring him that misfortune has opened her heart. As Pip takes Estella’s hand and they leave the moonlit ruins, he sees “no shadow of another parting from her.”
Charles John Huffam Dickens (7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world’s best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era His works enjoyed unprecedented popularity during his lifetime, and by the 20th-century critics and scholars had recognized him as a literary genius. His novels and short stories are still widely read today.
Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors’ prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed readings extensively, was an indefatigable letter writer, and campaigned vigorously for children’s rights, education, and other social reforms.
Dickens’s literary success began with the 1836 serial publication of The Pickwick Papers. Within a few years, he had become an international literary celebrity, famous for his humor, satire, and keen observation of character and society. His novels, most published in monthly or weekly installments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. Cliffhanger endings in his serial publications kept readers in suspense. The installment format allowed Dickens to evaluate his audience’s reaction, and he often modified his plot and character development based on such feedback. For example, when his wife’s chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens improved the character with positive features. His plots were carefully constructed, and he often wove elements from topical events into his narratives. Masses of the illiterate poor chipped in ha’pennies to have each new monthly episode read to them, opening up and inspiring a new class of readers.
Dickens was regarded as the literary colossus of his age. His 1843 novella, A Christmas Carol, remains popular and continues to inspire adaptations in every artistic genre. Oliver Twist and Great Expectations are also frequently adapted, and, like many of his novels, evoke images of early Victorian London. His 1859 novel, A Tale of Two Cities, set in London and Paris, is his best-known work of historical fiction. Dickens has been praised by fellow writers—from Leo Tolstoy to George Orwell, G. K. Chesterton and Tom Wolfe —for his realism, comedy, prose style, unique characterizations, and social criticism. On the other hand, Oscar Wilde, Henry James, and Virginia Woolf complained of a lack of psychological depth, loose writing, and a vein of saccharine sentimentalism. The term Dickensian is used to describe something that is reminiscent of Dickens and his writings, such as poor social conditions or comically repulsive characters.